underlined texts: questionable material
strikethroughs: word tuning
italics: action and onomatopoeia
this is an artifact/artifice constructed by americans to commemorate
mark {without specifying the trajectory of / without
singularizing the impact of} the deeds of others/foreigners. this
is not a monument to heroism; it is an acknowledgment of an
instant
act(ion) of malice. existing u.s. monuments serve the
purpose of tribute/summary to a cause or an undertaking;
particularly exemplary specimens of this function are the icons of
vietnam war, iwo jima, and lincoln. however, here there is no
underlying theme or moral for americans to concretize for the
benefit of posterity. on the contrary, what we are left with is
the discussion of the lack of reason and of the dangers of
maniacal fundamentalism. this is no place for the gaudy
celebration of ourselves or our accomplishments. Bzzzzzz
{plurality, making something, anything! Implies an answering of a
call, a singularity, let the theme then be hsssssss
{plurality, neutrality, ascription, rosa,
non-sequitur} 9
memorial
of grief:
{not to degenerate to numerology or symbolic
composition}10
killed: 184 125 inside / 59 on plane
this
is a place of private loss, not a public spectacle. the victims
of the events on september 11th were not part of a collective
movement or public enterprise. they were individuals trying to
earn a living or take a trip. it would be an obscene display for a
stranger to stand before a victim’s wife or son and profess to
share his or her feelings of grief. while the visitor certainly
may sympathize with the victim’s survivors, the nation’s
obligation to show deference to the remains is distinguishable
from individual tragedy.
the mourning of the family and
friends should be allowed on this spot, as many of the victims may
otherwise have no traditional ‘resting place’ where their
survivors may visit them in peace. however, the mourners should be
able to visit this site and pay their respects in peace, without
having their moments of grief intertwined with the trappings of
public nationalism or manufactured nostalgia {which are not
necessarily embodied by the company of other visitors / mourners}.
There is air between the private and the collective, the visible
and the tangible, there need not be a perpetual sealing.
Suggestions: {harbors: congregating ports of soft seas} {slips:
inlets, bays} {confessional} 11
monument
to purpose:
we do not betray the dead by living. the dead
will not be honored by a morose fetishization of the moment of
their demise. remembrance can not be a monument built as a
perpetual reminder of destruction. we do not forget or disrespect
the dead by setting ourselves to the task of rebuilding. we, the
living, have something that the dead do not; a failure to utilize
it to the fullest would be the ultimate disrespect to them. the
presence of the
monument should notify that a people who are prepared to move
forward, in spite of their grief, do a greater service to both the
living and the dead than remaining stagnant by dwelling on moments
of mind numbing misfortune.
{a
more atrajectoral ‘message’ might be in order, not a recreation of
utopia in stasis, but an environment that affects people in such a
way to move them toward the benevolence of their memories and
their futures} {ahssssssss remain, retain, not for
USA, but for life}12
proposal:
rather
than 184 names on a slab or 59 airplane seats in a field –
such totems potentially serve as gruesome lists for the prurient
curiosity of tourists and vulgarians – we prefer a
distinction between the public responses to memory and the private
sessions of grief. this proposal therefore separates the site into
distinct terms of use.
there are 184 private locations,
one for each victim, reserved for the victim’s family and
survivors. these points of meditation will serve as symbolic
tombs, where those who knew and loved the victims can visit in
solitude. as these points will be inaccessible to the public, the
family may securely fill them with anything they wish (personal
effects, religious paraphernalia, nothing). the public can view
the tombs as part of the memorial, but they are required to keep
their respectful distance; they are not allowed to
enter.
{silent (physically and architecturally) …
static… scattered or unified? I lean toward a disparate
unification (a plural mass)} {public vs. private seems
incredibly important… schema: public_visual, atmospheric,
plain / plinth(s), ambient ; private: tactile, silent, enclosed,
luminous, capsule, isolation.14
perhaps
there need not be an imposed division between the physical icons
of grief (ie, the tomb and the vista point), perhaps the mourner
and the citizen are both provided with tombs, the
citizenry(rabble) are provided with palliative sham tombs,
kssssssssa these are solid (or somehow physiologically
different than the accessible tombs…) the mourner (as discussed)
is provided with a tomb, sswhhhhsssss a hollow, those who
have experienced a physical void in the event are given access to
what is theirs on this site… the relationship between sham and
voided tombs can be explored in many ways: the two types could be
paired in the field arrangement; they could be randomly
distributed in a grid; they could be, as i mentioned before, in a
vertical relation in field, the voided above the (use ‘dummy’ now
in place of sham) dummy, as if it had fallen from the
upper…; the ratio of voided to dummy tombs is variable: if there
are to be 184 voided tombs (is there any info on family units that
were on the plane?) should there also be 184 dummies? should the
number of dummies reflect another numerological condition? … i
am in agreeance that the mourners should be given devoted
elements, however, i feel that although the grief of the
victimized (voided) differs from that of the polis (rabble,
gentry), they both may still validly grieve, however, the
experiences are
distinct from one another, i think it is possible to allow for
this without physically dividing the nation (those who have
physically lost and those who have not)…
notes:
1) should the ‘tombs’ become public after a certain time period (911
years) ? Yes, for first small increment they are private and
unadorned, then for an even shorter increment they are public,
finally they are once again private and are ‘fillable’
2)
should the ‘tombs’ be sealed after certain time period or at the
decree of the family? I’m not sure there should be a ‘tomb’ for
each ‘victim’, lets discuss…
3) if the monument is the
conglomeration of the memorials, does the distance of the public
from the tombs make it more of a tourist spectacle? one goes to
the vietnam memorial to read names of strangers, but one doesn’t
spend time in normandy reading the names on the tombstones.
{interesting point, if the ‘tomb’ is visible, then the mourner is
a spectacle… these should be two disparate yet related
experience, visitor / mourner.}
the
experiences of visitor and mourner can be completely different:
the viewer may be unaware of the function of his/her chambre in
the overall scheme; the viewer of the field need not know that
mourners are present.
4) “the victims of the events on
september 11th were not part of a collective movement or public
enterprise” – except for the defense department
employees?
5) appropriate to refer to the victim’s family
as ’survivors’? while in the classic obituary sense, the term is
suitable, the fact that there is another group of ’survivors’ of
these events could lead to confusion.
6) further
elaboration should be made on the necessity of absence of
religious or patriotic overtones at this location. let us not
confusedly continue a myth that the people on the planes or at
their desks died ‘for god and country’. let us not overlay the
myth of god and country onto ground that was the spot of death for
people with a panoply of creeds.
x)
symbolism and analogy seem dictatorial in their approach to form
and place making,, this space of markers or markings should be
developed in tune with: effect, sequence, and tactility
7)
i hope there is distinction between the character and merit of the
nation and that of the government that is clear to everyone but
the nimrods at .mil who are judging this shit.
8)
9)
the actions that took place on this spot have already made
something, anything! here beyond our feeble capabilities of
manipulating construction materials. is it a calling to wish to
address only this event, and not to use it as an excuse to
further justification for a cause? (ie, statue of uncle sam with a
louisville slugger)
10) while not, yet, declaring that the numerology plays a role in the scheme, it must be noted that this theme is prevalent in (american?) monuments, regardless of how obscure the numeral in focus: lincoln memorial has 36 columns = 36 states in the union at his death. korean war memorial has 19 soldiers facing mirrored stone. 19×2=38 = 38th parallel, the battle line of the war. the reliance on numbers as a symbol is interesting, considering the overbearing
nature of religion, though unofficial, in this country.
911 of anything = out of the question.
11) it is possible to provide separate places and still not slight
the experience of either group; although, it is dangerous to risk
turning a site such as this into a space of ‘us’ and ‘them’.
being that the visitors are the ones who are prohibited from total
access, they would likely be the ones who feel unfulfilled.
however, it seems that the public manages to find their own method
of signifying their attendance at places of despair; a popular
method is the tying of ribbons and taping of photos to chain link
fences. whether or not the memorial prescribes a place for
congregation, the public will undoubtedly find a way to take and
add something to take from the site, such as the handprints on
bronze in oklahoma city.
12) the constant repetition of the video of planes crashing is static.
here a memorial quietly allows people to leave the site with the
dead in mind, yet also with more optimism and ebullience that
will, hopefully, translate into action.
13) private impetus.
14) “scattered or unifed?” perhaps disparate + hemmed.
the private spaces can be spread throughout a confined void within
the heart of the memorial. though perhaps two equivalent
components with distinct zones of entry and boundaries are more
respectful than an auditorium/arena with the tombs/confessional as
the stage.
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